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[realestateinsightspune]

Why Balewadi is Perfect for Buying Flats or Investing in Pune Real Estate

Introduction

Looking for a thriving locality in Pune or PCMC to buy a flat or make a real estate investment? Balewadi is the answer! Nestled in a prime location with seamless connectivity and rapid development, Balewadi has transformed into one of the most desirable areas for modern urban living. Here’s why it’s a hotspot for property buyers and investors.

What Makes Balewadi Stand Out?

1. Unbeatable Location

Balewadi is strategically positioned close to major hubs like Hinjewadi IT Park, Baner, and Aundh. Its proximity to the Mumbai-Pune Expressway ensures effortless travel to Mumbai and other cities, making it a top choice for professionals and families alike.

2. Modern Infrastructure

Balewadi boasts world-class infrastructure with top schools, hospitals, and recreational facilities. Landmarks like Balewadi High Street add a cosmopolitan vibe with premium dining, shopping, and entertainment options.

3. Hub for IT Professionals

The growing IT sector in Hinjewadi has increased demand for quality housing near the workplace. Balewadi’s convenient location and lifestyle amenities attract IT professionals, driving real estate growth.

4. Sustainable Living Spaces

Amid urbanization, Balewadi has maintained its greenery and calm environment. Many real estate projects here focus on sustainability, combining luxury with eco-friendly features for a healthier lifestyle.

5. Promising ROI for Investors

Balewadi’s real estate prices have shown steady growth over the years, offering high returns on investment. Its rental market is also thriving, making it an ideal choice for investors looking for long-term benefits.

A Glimpse Into the Future

With infrastructure projects like Pune Metro expanding to Balewadi and road improvements underway, the area is set to become even more accessible and livable. Such developments will undoubtedly enhance its appeal and boost property values further.

Discover Platinum Marvelle: Your Dream Home in Balewadi

Among Balewadi’s many premium projects, Platinum Marvelle by Platinum Buildcon stands out as a symbol of luxury and sustainability. Offering spacious 2 and 3 BHK flats with modern amenities, including EV charging points, Platinum Marvelle redefines eco-friendly living.

[moonilit]

I have a headcanon that both Kory and Damian don’t enjoy fiction too much, Kory would see through all fake emotions and Damian is too judgmental. But! they both enjoy Documentaries.

Kory learn more about earth while Damian actually like talking about animals, history, economy, etc and showing his knowledge. Damian and Korys’ dynamic to me is; he tells her a million random facts and she actually engages with all of them.

bounce:

[zondearts]

au au mizuena

[coral-canary]

New Kohane card……. She’s so cute…. She’s infodumping to her….

Also does anyone else remember when Kohane and An talked about riding the Ferris wheel in Phoenix wonderland together alone at night during Time to hang out so they could enjoy the sights.

And. And Kohane’s trained is her looking at someone while riding a Ferris wheel over a neon amusement park at night (with the neon being in her and An’s signature colors).

No…. Just me….??? Ok……

[proxentauri]

still thinking about heat abnormal

[thekittyokat]

you ever just have a lot, a LOT of feelings all at once about a character and not even remotely enough words or brainpower to FORM the words to describe everything you're feeling. so it feels like you may explode. yeah

[krismatic]

prsk is so unrealistic. if mafuyu ghosted any other youtaite discord server ran by teenagers there would be ten separate callout posts circled around on twitter about "the yuki situation." half of the stuff in the linked document explaining why she's a bad person would be made-up and/or incredibly vague. this document would then be sent in the #announcements channel of literally every youtaite discord with a message saying "I usually don't discuss drama here, but this is really important. stay safe everyone." everyone will block her and then forget about it in a month.

[spear-gsun]

Happy 20 years to the Imperishable Night

[neigepomme]

sharing these thoughts again, but caleb is 300% the type of guy to go "i'm gonna kill myself" at any minor inconvenience. however, let me add to that — i also think that one of his immediate responses to outside trouble is "damn. we should kill them"

after going through your first heartbreak in high school and telling caleb about it, he replies with "we should kill him," and it makes you laugh and agree with him jokingly (he'd do it but you need him more so that stupid boy's life has been spared). he probably blabs about how you don't need that guy's attention because none of them could treat you the way you deserve, and you're fine hanging out with him for the time being.

the misandrist thoughts from him never stop — as a matter of fact, they get stronger when you start dating. he landed the girl of his dreams, and he doesn't feel worthy, but he'd rather keel over and die before letting another guy have you.

never change, caleb!!

[mel-melonn]

the human tumor

[poorly-drawn-mdzs]

The Quest Continues...

(part 1- part 2)

[quirkle2]

scenes that make me wanna eat drywall dust

[nixotinix]

plese please please pretty please a Btas Scarecrow?

BTAS scarecrow is so silly billy. like yeah he put fear toxin in the water supply but like. he's just a little guy <33

thank you for the request anon!! DC character requests are still open to those interested!

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[ashlynniis-bracketeers]

Is this a massive mess?

Yes.

Is it funny?

I hope so lmao.

I couldn't help myself. I got reminded of the stark difference between Meur and Don's "Electric Screaming" Corrosions, which ended up getting linked with this meme in my connection-obsessed brain and I ended up concocting this. These are all of the Corrosion idle sprites that are on wiki.gg (so no Bygone Days Ishmael).

The four parts are "Hear it Hurgling" at the top, "Beaſt" on the right, "Just a Dude" on the bottom, and "Some Kind of THING" on the left. Things ended up getting really crowded in the bottom, left, and middle generally on the left side lmao.

I'll put a blank version under the cut for anyone else who wants to use it. Go nuts 👍‍

[ohvennn]

Gosh it’s been so long since I last drew. My thesis paper has been kicking my ass relentlessly so I accidentally fell into the “AkiMafu” rabbit hole in Project Sekai 🍮❄️

Idk why ppl hate them actually- (except for the “come here mafuyu-chan" meme) regardless, I really think their dynamic is cute since it explores their two-faced personas. Whose mask will break first, how long will their facade slip? Maybe under the right circumstances Akito could catch a glimpse of Mafuyu’s real face and that’s the exciting part! ^0^ 💥